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Sidney, Cherokee, Dixon, Beauty & Sienna

Sidney
 
Sidney is a member of my animal family and was a pleasure to paint. It took me a while to get the right photograph but I think the wait was worth it.  I particularly like the colours and the detail in this painting.
 
Sidney Photo Sidney Painting 1
 
Attention to detail is so important - it's vital to get the eye and every individual hair and whisker just right!
 
Sid Eye   Sid Nose
 
I start my paintings by pencil drawing the subject and then adding the main colour before adding the detail, as shown below. 

Sid Stage 1 Sid Stage 2

Cherokee
 
This horse was stunning and the colours were amazing to paint.  I'll let the painting speak for itself.
 

    Cherokee Final Photo    Cherokee Final Painting

Dixon
 
As Dixon and his owners lived locally, I was able to visit in person and take some photographs to work with.  Dixon was a magnificent horse with real character and I aimed to capture this in my painting of him, a birthday present.  The photograph shown below was used for the shape, although I adapted my painting so that Dixon's tongue wasn't sticking out and his eye was softer.
 
Dixon Photo    Dixon Painting
 
I took a selection of photographs and was able to use different photographs to get the detail just right - one for his whiskers, another for his eyelashes, and from different angles to make sure I picked up on every little fleck in his coat.
 
Dixon Eyelashes  Dixon Whiskers  Dixon Ceek Flecks
 
Beauty
 
This painting has a touching story behind it - Beauty belonged to the commissioner's late wife, who was a professional photographer and had taken the original photograph.
 
Although the photograph was over 20 years old I made every effort to do it justice in my painting.
 
Beauty Photo    Beauty Painting
 
The painting was painted in various stages, with detail being added to produce the final result.
 
Beauty Stage 1   Beauty Stage 2
 
Sienna
 
Sienna's owner wanted a full body side-on painting instead of the usual portrait.  I was able to use a selection of phorographs to produce the finished result.
 
The painting was based on the following photograph, with the rider and tack omitted.
 

Sienna Photo

I then used the other photographs, including the one below, to get the right colouring and body structure.
 

Sienna Photo 2

The painting:
 

Sienna Painting

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